High Noon is about
a town marshal (Gary Cooper) who is liked and respected by the town’s
people. It is the day of his wedding
(the bride being Grace Kelly). He has
resigned as marshal with the plans of settling down with his new wife and becoming
a shopkeeper.
There are several minor stories within the main one—a deputy
who makes a power grab for the marshal position, an evil man consumed with hate
and revenge for being imprisoned, cowering men of the town distancing themselves
from the self-reinstated marshal and inevitable showdown with a gang, a
pacifist (Quaker) bride wanting her new husband to run from conflict, and so
on.
I always wondered why I liked High Noon so much. The music
by Tex Ritter is a classic—one of those songs that rolls around in your
head. But a single element of the story
is what I like most and has held my admiration all these years. It is the personal character of the
marshal. He is a man who has “backbone”
to stand his ground against great odds, who is willing to stand alone if need
be, a man who is willing to give everything to protect others and stop
evil.
The marshal’s character is what all “real” men would like to
be known for, but few achieve in this day in age. I recall Dad being that kind of a man. I recall mother being upset because he
volunteered the first week of World War II.
I recall him going out in rural Bell
county collecting debts from men who owed my grandfather, but refused to
pay. I recall him (after reason failed) physically
“undoing” more than one man who thought Dad could be pushed and made to
run. I recall him insisting our family
do what was right and just, even if it was unpleasant, inconvenient, or costly. But Dad lived in a different age, just like
the marshal in High Noon. O well, those were the days—the days when America
was being made great by courageous men of character. We don’t find many like that any more.
So to wrap up this reflective rambling, if you someday get a
chance to watch the old movie, be sure to do so. Study carefully the courageous character of
one man, and the “hide and dodge” character of others. You may see in them someone you know.
Gene Pool